I agree that this could be a bit hard to read in N scale. Part of the key to getting the final lettering as sharp as possible is to make the original as large as possible, clean it up, then reduce the size. You mention that you've always been good at artwork: I could say the same, but to translate that into something with a computer is the part that is beyond my abilities. When I did the artwork for my custom dry transfers, I used a combination of Letraset characters and hand-drawn ink artwork. I then turned it over to my brother, who scanned it, then enlarged it so he could bring up each individual character to almost full screen size. Using a commercial program in his computer, he then cleaned up all of the edges of each character (it's unbelieveable how ragged commercially available lettering is when enlarged), then recomposed the layout, and reduced it back to twice the size of what the finished lettering would be.
I'm curious as to how you made-up the logo: did you manually draw it, then scan it, or is it done totally on your computer? In either case, nice work.:thumb:
Wayne